As I believe I have mentioned here before, my most difficult classes are the ones of 11 to 13 year olds. At this age they are just beginning to embark on their social lives, and thus they are much more concerned with talking to each other, or sending text messages, than they are with me. In fact, because of my insistence on interfering with their preferred activities, I am viewed as less of an instructor and more of a nuisance.
In the past I have countered their insolence with pleads such as, "C'mon guys pay attention," or, "Girls, put the phones away," or, "No speaking Korean during class," or simply, "Please," each plead accompanied with an under-my-breath, "
for fuck's sake."
Last week I had the realization that if I actually had some way of relating to them I could possibly get them to speak in English about things that they like. I was made aware of a Korean drama that all the kids love, called
Kkot Poda Namja, or, in English,
Boys Before Flowers. One of my fellow American teachers is addicted to it, and implored me to watch it. I acquiesced.
The story arc, from what I've been able to tell from the five subtitled episodes I've watched online, is comparable to that of
The O.C. Except that instead of a displaced young man in a rich high school, it's a displaced young girl (Jan Di). Rejected by her peers, Jan Di quickly finds conflict with the four richest, most powerful, and irrepressibly
gorgeous boys in the school, collectively known as the F4 (the F stands for Flower). In time, F4's leader, Jun Pyo, abandons his malice toward Jan Di in favor of his growing affection for her. This affection is unsought and disdained, because Jan Di has her eyes set on another member of F4- the more gallant and introverted Ji Hoo. So, Jun Pyo pursues Jan Di, and Jan Di pursues Ji Hoo, who initially eschewed Jan Di until his super model crush moved to Paris to pursue a law degree, and Ji Hoo began to become aware of his amorous feelings for Jan Di. To go along with this are a plethora of subplots, such as Jan Di's best friend Min Chi
, and her lifelong crush on Jun Pyo which caused her to get dozens of plastic surgeries in order to attain the level of beauty she felt Jun Pyo sought, and her betrayal of Jan Di by having her roofied at a party and taking a picture of her in a hotel room bed lying next to a man. That
bitch.
What was I talking about? Oh right, teaching. So I watched these five episodes in an effort to initiate some dialogue with my adolescents. It worked, to a degree. By at least knowing the characters' names I've been able to elicit a response from them, although my question "Who is better, Ji Hoo or Jun Pyo?" may instigate a school-wide civil war. Relaying my knowledge of the show's plot has caused discussions of the show's themes; discussions which are admittedly ridiculous, but at least are in English. Progress.
However, if you can believe it, five episodes of a Korean drama is not a panacea for one's teaching woes. Problems still persist. At some point I must shift the discussions toward curriculum, and from there it's easy to lose them. Such was the case today in my 4:45 class. While trying to bulldoze my way through another unit in the book, the cause was lost- lost in an avalanche of Korean gossip and text messages. After my 30th appeal to pay attention, with about ten minutes left in the period, I gave up. I stood there, next to the whiteboard, a callous look on my face, and watched them. Quickly thereafter, the students noticed the paucity of my pleadings, which previously served as an ambiance for their discussions. They looked at me quizzically, wanting my implorations but receiving none.
They resumed speaking Korean to each other, but this time I could tell the topic was my silence. Again they looked at me. Hoping to evoke a response, one of them jokingly asked if I was going to cry. My smile was irrepressible, though I managed to make it wry and accompanied with more silence. A brief chant of "Don't cry!" began, which was greeted by more wry smiling. Eventually, to my surprise, they began completing the unit. Instead of me pacing the classroom trying to speak above their discussions or ennui, yelling "Claire, can you read and answer number 4," or, "Owen, what's the answer to number 7," each student instead took their own turn, without my petitioning, and answered the questions their books had.
When they finished, they once again looked at me, anticipating words but again receiving nothing. My smile turned from wry to optimistic, but that was the extent of communication I allotted them.
Two periods later I employed the same technique on another class, when with ten minutes left in the period they similarly discarded me. These students also felt an amount of shame, and begged me to say something. I didn't. They apologized, but I remained cynical. The bell rang, and I was the first out of the room. I walked to the teachers' room and sat at my desk, preparing to tackle my next assignment, thankful that it was my favorite one, the one with Tupac. Not long after, one of the students appeared at the door. "Sim-teacher," he said, and I turned and looked at him. "Bye," he said, and I smiled and waved.
At the very least I have something to build on. I could be pessimistic and think that my students are at their best when I am silent, but, if you can believe it, I'm optimistic. Rather than continuing to yell my brains out at them in an attempt to tear them down into manageable minds, I've allowed them to realize how much they've torn me down. Now I can work with their contrition, rather than their indignation.
I'm looking forward to Friday, when we meet again.